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The 2020 coronavirus pandemic is puzzling from a visual point of view. There are millions of photographs published about the crisis every day, yet we can see the key actor, the virus, only in artistic representations. Most of us also have very restricted access to central sites of the crisis, as intensive care units, nursing homes, meat packing plants and prisons are often not available for photographic representation. At the same time, we are oversupplied by other images that try to capture the \'essence\' of the moment. This article analyzes three prevalent visual genres in connection with the ongoing pandemic: abstract representations of the virus and public responses to it, images of heroes and sinners, and photographs of the \'stage\': the iconic spaces including empty public buildings and busy domestic spaces. All these iconic representations try to grasp the \'deep meaning\' of the crisis through a particular scene or moment. Their expressive surfaces have become our key sources to imagine the coronavirus crisis, and to socially connect in a time of painful and prolonged physical distance.
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